Mary Shelley ' S Modern Prometheus : a Study in the Ethics of Scientific Creativity
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Frankenstein’s Monster Comes Home: The ‘Two Cultures’ in Remix
Frankenstein or the Modern Prometheus by Mary Shelley (1818) is the starting point for this reading of remix in relation to authorship and its implications for creative work. The monster in Frankenstein has no single author, or father, and is damned by his mixed parentage as much as by his inability to recreate himself. Alone, he falls into the waste as a product of the divide between poetry an...
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